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National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
Nina Sadur as a playwright
 Dvořáková, Iva ; Ulbrechtová, Helena (advisor) ; Ryčlová, Ivana (referee)
The thesis deals with dramatic work of a contemporary Russian author Nina Sadur (writing since the mid-eighties). Its object is to present main features of her poetics primarily by interpretation of two selected plays - Morokob and Milenkii, ryzhenkii. The first play could be conceived as a metaphysic drama. Its analysis pays attention to two mutually connected levels - those of and of . The second play is based on an older Sadur's subject transposed from the former novel to a radio play. The thesis is concerned with the shifts of meaning caused by this transposition as well as with a critical discussion issued in 2003 and titled Who Is the Cute Little Redhead? exploring various layers of meaning of the novel/radio play. The next part summarizes the available secondary literature, specifies the focus of scholar interest, contains the essential bibliographic data of the author as well as the chronology of her dramas and it lastly mentions the issue of her subsumption under one of the literary movements appearing in Russia since the end of the seventies.
Detailed record
Nina Sadur as a playwright
 Dvořáková, Iva ; Ulbrechtová, Helena (advisor) ; Ryčlová, Ivana (referee)
The thesis deals with dramatic work of a contemporary Russian author Nina Sadur (writing since the mid-eighties). Its object is to present main features of her poetics primarily by interpretation of two selected plays - Morokob and Milenkii, ryzhenkii. The first play could be conceived as a metaphysic drama. Its analysis pays attention to two mutually connected levels - those of and of . The second play is based on an older Sadur's subject transposed from the former novel to a radio play. The thesis is concerned with the shifts of meaning caused by this transposition as well as with a critical discussion issued in 2003 and titled Who Is the Cute Little Redhead? exploring various layers of meaning of the novel/radio play. The next part summarizes the available secondary literature, specifies the focus of scholar interest, contains the essential bibliographic data of the author as well as the chronology of her dramas and it lastly mentions the issue of her subsumption under one of the literary movements appearing in Russia since the end of the seventies.
Detailed record

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